Windows Llorenç Barber & Barbara Held, expanding music to the visual.

Barbara Held & Benton C Bainbridge, Pausa (Casiverde), 2017

Windows
Llorenç Barber & Barbara Held, expanding music to the visual

The exhibition reviews part of the extensive production of composers Llorenç Barber and Barbara Held, who began their activities in the 1970s, a period of great artistic effervescence and radical changes in the way we understand artistic and musical creation. The two composers have taken different approaches, although their paths have crossed many times. Throughout the last forty years, both artists’ compositions and performances have expanded towards the visual and they have become two important figures of sound art made in Spain. The exhibition is composed of original scores, drawings and other documents by Llorenç Barber, and Barbara Held presents film, video and installation work composed with collaborators Carles Santos, Benton C Bainbridge, Seth Cluett, Eugènia Balcells y Pere Noguera.

Llorenç Barber A Nonsense talk of bells,  1994

Llorenç Barber is a Spanish musician, composer, theorist, musicologist and sound artist. One of the first to introduce musical minimalism to Spain and creator of proposals such as «plurifocal music» («city concerts», «naumaquias», «concerts of the senses», «itinerant concerts», etc); as well as textual music, improvisation and construction of experimental instruments.

As cultural activist, he has created numerous festivals (Ensems, Festival de la Libre Expresión Sonora del Aula de Mñusica de la Complutense, Paralelo Madrid-Otras Músicas, Nits d’Aielo i Art, La Festa de la Boca ), ensembles (Actum Taller de Música Mundana, Flatus Vocis Trio, Triángulo, Irregularis Daniel Charles Orchestra, Trio Tría ), and even a new award “Cura Castillejo” for honor outrageous artistic proposals. 

Since the 1980´s he has been an active participant in the group Audio Art Symposium, whose long years of activities culminated in the creation of  KLANGKUNST/SONAMBIENTE-1996 in Berlin, making him the most active Spanish promoter of European Sound Art. In 2017 he shared with Charles Santos the Prize for Valencian Musicians, First Edition. 

Barbara Held is a flutist and composer, performer, coach, curator, whose practice as a classically trained musician gives priority to a lifetime of collaboration, of interdisciplinary work in relation to other artists.  Known for her subtle exploration of the minutae of sonic material, she creates sensitive, focused sound work that exposes the detail of the physical space of listening in equal part to a keen attention to how we listen as bodies moving through the world.

She has commissioned and performed a very personal body of new repertoire for flute by artists including Alvin Lucier, Carles Santos, Joan Brossa and Seth Cluett. She was flutist with New York’s Bowery Ensemble, a group with close ties to Morton Feldman directed by Nils Vigeland, and experienced the process of Spain’s transition with the Grup Instrumental Català created by Santos and Mestres Quadreny. She was the creator and producer of “Music at Metrónom”, a series of concerts of experimental music that gave special support to collaboration between musicians and visual artists, a project that she shared with invited co-curators such as Augusti Fernandez and Francisco Lopez; with Pilar Subira, co-curated “Possibility of Action: the life of the score” for the Documentation Center and Archive of the Barcelona MACBA museum of contemporary art during the 2008-09 season, and “Lines of Sight”, a series of seven programs of experimental music and radio art for radio web macba.

Pausa, her current project with Benton C Bainbridge, explores the live creation of images and spatialized sound while extending the traditional time frame of performance. Their generative installation Observatory / Lisa Joy  was shown as part of “Escuchar con los ojos. Arte sonoro en España, 1961-2016”, a group exhibition of Spanish Sound Art from the past half century at the Juan March Foundation in Madrid.

 

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Terrain vague del deseo

Txema Salvans exhibition in Juan Naranjo Gallery 

Terrain vague of desire, photography and prostitution 1963-2013

Terrain vague of desire, photography and prostitution 1964-2013 has been divided into two exhibitions:  The waiting game and Terrain vague of the desire , shown by the photographs and the photobooks of Txema Salvans and Joan Colom, creators of two of the most important works that have been made around photography and prostitution.

Terrain vague of desire

It is composed of a set of photographs that Joan Colom took in the Chinatown (El Raval) of Barcelona in the late 1950s and early 1960s that escape technically and conceptually from the production of the moment in Spain. These photographs were published on the Izas, Rabizas and Colipoterras photo book by Lumen, Barcelona, ​​1964, with text by the writer Camilo José Cela. The exhibition is complemented by other photographs and documents dealing with this subject.

Joan Colom, El Raval, 1958-1961

The waiting game

We present a selection of the excellent work that Txema Salvans carried out between the years 2005 and 2013 in which it turned into aesthetic and social landscapes the terrain vagues what is on the roads, industrial estates, vacant spaces on the Mediterranean coast between Girona and Algeciras and collected in the photobook The waiting game, published by the editorial RM, Barcelona, ​​2013 with texts by Martin Parr, with which he won the third contest of Ibero-American Photo Book

Txema Salvans, Castelldefels, Barcelona C-31, 2006

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